Red, White and Unsteady
What would Robert Walker’s life had looked like if he hadn’t made MY SON JOHN (1952)?
I love Walker. I love the way he looks in crowds—–fidgety. I love his chronic underconfidence. I even like the fact that he went crazy after awhile. Actors don’t have poetic lives anymore. They’re given a blank slate with which to work. Working in Walker’s day, the departure from the ‘leading man’ title lay only in what one’s specific oddities and mannerisms could give it.

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