Victory Tits

Accompanying my breakthrough discovery that womens’ breasts moving up a cup size per decade from 1920-1960
comes a parent (or sister?) discovery every bit as profound: in the Hollywood movies of yore, tits used to say something.

And in the message-packed films of the 1940s, it ends up being tits that carry most of the message, for all that the stars and sets and men in the aisles selling war bonds could do.
Not only did women’s fashion become more angular and businesslike, concerned more with the logistics of movement than with outlining every curve of the frame (as the thirties were deliciously guilty of), it emphasized the breast-region as a center
of strenth, with dresses designed to sweep up at the shoulders and necklines travelling abruply downward, stopping where the
breasts seem to begin. The effect is architectural: the feeling of something pushing up under a tremendous strain–truimph
in the face of adversity.

And the added beauty of this, the WAC breast, was that it could be found not only in films like SO PROUDLY WE HAIL which emphasize women’s strength in the war effort, but in the nightclub, the boudoir, the street. Everywhere you go in a forties film, if you’re going to places where women are, there’s going to be some woman with a fierce upswept hairdo, atlas-like shoulders and triumphant tits.


Alongside this development is another personal favorite: that of bullet-tits, a style of dress in which the nipple makes
itself known in no uncertain terms. Jane Russell, who would come on the scene in the late forties, is perhaps the champion
of this, taking the aggressive-nipple prototype to new heights.

(This could be a visual pun…or it could just be me)

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~ by levantor on October 26, 2009.

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